Monday, July 31, 2017

Review: House of Sand and Fog

House of Sand and Fog House of Sand and Fog by Andre Dubus III
My rating: 4 of 5 stars

I remember this novel from a review I read when it first came out more than 15 years ago. The premise sounded amazing, and I still think so. This begins as a masterpiece.

One of my favorite philosophers is Gaston Bachelard whose focus is on the experience of home. He explores the degree to which we understand ourselves based on the degree to which we feel at home in a certain place or among a certain group.

In that light, this novel begins as a powerful exploration of two people who find “home,” who find the completion of themselves, in the same place. Kathy is a mostly down-on-her-luck recovering addict who needs the house to feel a connection to a past she’s trying to recover. She wants to be the person she once imagined, and the house is part of making that happen in the wake of being abandoned by her fellow addict boyfriend.

Massoud is a former Iranian colonel, an officer who fled the country as the Shah fell and brought a stash of money with him. He’s spent the last 15 years watching his resources dwindle and experiencing his own slide into irrelevance. When he buys the house in a tax sale, it promises a new beginning. It gives him his first real stake in America, and it promises to make him whole again.

That conflict is powerful, and Dubus writes lyrically about each character. The story is compelling as each works toward her or his need around the house. He has to make immediate changes so it can be more valuable in resale. She has to circle around it when, homeless, she is no longer certain where she belongs.

Unfortunately, the novel takes a turn into something else midway through. [SPOILER] I have no problem with Kathy’s falling in love with a police officer who’s dealing with his own deep discontent, but it does bother me that he becomes more and more the driver of the plot. His sudden love for Kathy has him enlist, violently, on her side.

The final quarter of the book, then, is less an exploration of the powerful grip a home can have on you than it is a study in the way desire and frustration can boil over. It’s still a compelling story, one that has the grip-your-attention power of a suspense story when you know, with dread, what’s coming but can’t look away.

And, throughout, this is written in a beautiful fashion, one that recalls in parts for me the very different tone of Jefferey Eugenides.

So, this is a powerful work, one I’m glad to have

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