Review: On Power

On Power by Robert A. Caro
My rating: 5 of 5 stars

I confess: I haven’t read either of Robert Caro’s reputed master projects for the simple reason that they seem too long. He’s gotten famous for the biography of Lyndon Johnson that seems never to end. (He jokes here that he’s on volume five of a projected two-volume work.) And he made his name by calling on us to rethink the role of Robert Moses in remaking New York city and state.

I’d like to read them, especially the Moses since it touches so much on the way cities get remade and reimagined in what’s largely an ethnic context. Still, it just seems so imposing. I’m sure I’d appreciate it, but I also think it would take a long time to find the particulars I’m interested in within the larger story he’s telling in the book.

And that brings me to this “book.” I use the quotes only because it’s such a short work, in many ways just an extended essay. But, above all, it’s an introduction to Caro’s work and to his abiding interest: how does political power shape our America, and how does wealth shape and inflect that power?

If Caro never quite answers that question, I can cut him some slack. I don’t expect people to answer the question of “What’s the meaning of life” either. Instead, we get a top-tier mind wrestling with a subject worthy of it. We have a man with a simmering social conscience reflecting on what he’s learned over four decades of sifting through records that most people would lack the patience or imagination to deal with.

In this essay – and it really is an essay in the sense of being a work that finds its subject as it goes – Caro makes his work personal. He tells the amusing and inspiring story of how he migrated from investigative journalism into deep-dive biography, but he presents it as the consistent pursuit of the same impulse. Whether he’s commuting four hours a day (on highways that Moses constructed by crushing the powerless and bending to the powerful) for a first job or moving to Johnson’s Southern boyhood home for otherwise impossible to get material, he always looks to the ways some bully and some get bullied.

The star here is Caro’s voice. That’s magnified in the audiobook where he reads his own story in a great working-class New York accent, but it’s present in the prose, too. As a trained journalist, he never wastes words. As a man inspired to tell the tale of people who found themselves at the mercy of others, he tempers his outrage by reminding us of his own limits and by acknowledging that the work is so vast – so long, if you will – that he can’t let it consume him or his sense of humor.

This is a straightforward pleasure, and I come away from it feeling as if I have a new friend.


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